Tak-Cheung Hui

Orchestra and Large Ensemble (9+ Players)

_迴 (2023)

_{for Flute Concerto}

_{Water Album 4 – Realms of Interim II (2022)}

_{for Large Ensemble & Electronics}

_{Ring…Tree Rings II (2018)}

_{for Flute, Oboe, Clarinet, Piano, Zheng, Violin, Viola, Cello, Contrabass (unusual stage setting)}

_{Tale of an old picture II – Les Fragments du Temps (2018)}

_{for Large Ensemble and Guzheng}

_{The Mist Not Mist (2016)}

_{for Alto Flute, Clarinet, Sheng, Accordion, Pipa, Zheng, Piano, Percussion, Erhu, Violin, Cello, Contrabass}

_{On the day, when the lotus bloomed (2015)}

_{for large ensemble}

_{Rhyme in Rhyme (2014)}

_{for Sheng, Sho, Shakuhachi, Oboe, Clarinet, Pipa, Qanun, Zheng, Harp, Erhu, Kemence, Violin, Viola, Cello, Contrabass}

_{Crack between the reflections (2013)}

_{for 2 Flutes, Oboe, 2 Clarinets, Harp, Piano, 2 Percussions, 2 Violins, Viola, Cello and Contrabass}

_{As an fallen leaf, on a waving stream (2012)}

_{for Flute, Oboe, Clarinets, Guitar, Mandolin, Harp, Piano, Percussion, Violin, Viola, Cello, Contrabass}

_{Way to the other Shore (2011)}

_{for Woodwind Quartet, Brass Trio, Piano and String Quintet}

_{The Mist inside (2011)}

_{for Recorder, Flute, Oboe, 2 Clarinets, Bass Clarinet, Alto Sax, Horn, 2 Violins, Cello, Harp, Piano}

_{Glimpses of ink landscape (2009)}

_{for orchestra [4. 3. 3. 3. – 3. 3. 3. 1. – 3 perc – harp – pno. – Strings)}

Chamber Ensemble (2 to 8 Players)

_{Ring…Tree Rings III (2023)}

_{for Flute, Clarinet Cello Electronics & Video}

_{The Journey of the Unknown (2022)}

_{for Flute, Clarinet, Bass Clarinet, Violin, Percussion, Electronics & Video}

_{Sites of Solitude (2021)}

_{for Flute, Saxophone, Cello & Piano}

_{Realms of interim (2020)}

_{for Ensemble}

_{Water Album#2 – On the Petal (2019)}

_{for Soprano, Flute, Clarinet, Violin, Percussion and hidden speakers (& w/ Cello, w/o Soprano version)}

_{Water Album#1 – Seascapes (2019)}

_{for Flute, Saxophone, Viola, Positive Organ, Percussion and Electronics}

_{Mist in June (2019)}

_{for Reed Quintet}

_{The interim (2018)}

_{for flute, clarinet, violin & cello}

_{Ring…Tree Rings (2017)}

_{for String Quartet (& String Quintet version)}

_{Two Cracks between the shadow (2016)}

_{for Piano Quintet}

_{…Bai (2016)}

_{for 2 Guan, Sheng, Pipa, Zheng, Percussion and Tape}

_{⋯White (2016)}

_{for suona and small ensemble}

_{Out of the shadow (2013)}

_{for percussion duo}

_{Scrap in the box (2013)}

_{for Clarinet, Synthesizer, Drum-kit and Electronics}

_{Frozen In (2013)}

_{for Shakuhachi, Flute, Alto Saxophone, Cello, Contrabass}

_{Scrap in the box (2013)}

_{for Large Ensemble}

_{Tale of an old Picture (2012)}

_{for Flute, Clarinet, Piano, Percussion, Violin, Cello and 2 Transducers}

_{Magnified (2011)}

_{for Pipa, Sheng, Zheng, Flute, Alto Saxophone and Horn}

Installation, Electronics, and Multimedia

_{A Way Away (2023)}

_{for Cello & Electronico}

_{I saw you in the void (2022)}

_{for Piano & Electronics}

_{Tangled Memory (2020)}

_{for Piano & Electronics}

_{Water Album #3 – Prologue (2019)}

_{for Cello solo}

_{Things that might have been (parts of Xingchuang 24 – 1) (2019)}

_{for Flute, Electronics and Video}

_{Like a Moth in the Rain (2018)}

_{for Prepared Bass Flute and Live Electronics}

_{GYUKE (2017)}

_{for Bass Flute and Live Electronics (& no electronics version)}

_{In Between II – Lu Chai (2015)}

_{for Alto Flute Solo}

_{In Between (2013)}

_{for Flute Solo & Video}

_{52 matches in the dark (2012)}

_{for Alto Saxophone Solo}

_{Glimpses of the other shore (2011)}

_{for Sexophone Solo}